{"id":12544,"date":"2023-03-03T15:00:00","date_gmt":"2023-03-03T15:00:00","guid":{"rendered":"https:\/\/www.atelier-reklama.sk\/blog\/?p=12544"},"modified":"2026-03-25T09:23:03","modified_gmt":"2026-03-25T09:23:03","slug":"moj-krekacsky-kroj-a-jeho-prekreslene-vzory-spolu","status":"publish","type":"post","link":"https:\/\/www.atelier-reklama.sk\/blog\/moj-krekacsky-kroj-a-jeho-prekreslene-vzory-spolu\/","title":{"rendered":"\u013dUDOV\u00dd ODEV\/KROJ Z OKOLIA BZOV\u00cdKA"},"content":{"rendered":"\n

Anna \u010cep\u00e1kov\u00e1, \u010d\u00edslo z\u00e1znamu 2023\/5\/154, pr\u00e1vo pou\u017eitia nekomer\u010dn\u00e9 \u00fa\u010dely<\/p>\n\n\n\n

VZORY SOM PREKRES\u013dOVALA NA FORM\u00c1T A3, PO VYTLA\u010cEN\u00cd BUD\u00da V POMERE 1:1<\/p>\n\n\n\n

P\u00e1r slov na \u00favod<\/h2>\n\n\n\n

\u010casto v mojom blogu pou\u017e\u00edvam term\u00edn KROJ, viem, \u017ee v roku 1953 sa odborn\u00edci dohodli na v\u00fdsti\u017enej\u0161om pomenovan\u00ed tradi\u010dn\u00e9ho odevu a to je \u013dUDOV\u00dd ODEV. V hovorovej re\u010di sa st\u00e1le pou\u017e\u00edva p\u00f4vodn\u00fd n\u00e1zov KROJ, aj mne sa tento v\u00fdraz viac p\u00e1\u010di. <\/p>\n\n\n\n

V s\u00fa\u010dasnosti na Slovensku rastie z\u00e1ujem o \u013eudov\u00e9 umenie a aj o \u013eudov\u00e9 v\u00fd\u0161ivky. Do skupiny obdivovate\u013eov patr\u00edm aj ja. Obdivujem r\u00f4znorodos\u0165 prvkov, mot\u00edvov, techn\u00edk, farieb a to ako oby\u010dajn\u00ed \u013eudia, bez v\u00fdtvarn\u00e9ho vzdelania, mnoh\u00ed nevedeli ani \u010d\u00edta\u0165, p\u00edsa\u0165 a aj napriek tomu dok\u00e1zali vytvori\u0165 prekr\u00e1sne „umeleck\u00e9 diela,“ dok\u00e1zali ka\u017ed\u00fa s\u00fa\u010diastku dokonale zladi\u0165 do prekr\u00e1sneho celku, boli v\u017edy upraven\u00ed od hlavy a\u017e po p\u00e4ty dodr\u017eiavaj\u00fac pr\u00edsne pravidl\u00e1, ustrojen\u00ed pod\u013ea pohlavia, veku, pr\u00edle\u017eitosti. Fascinuj\u00fa ma drobulink\u00e9 kr\u00ed\u017eiky vy\u0161it\u00e9 cez dve tenk\u00e9 nite, ktor\u00fdmi vy\u0161\u00edvali z rubovej strany, zdobili svoj odev.<\/p>\n\n\n\n

Postupne \u013eudia na dedin\u00e1ch, samot\u00e1ch odkladali svoj kroj a preberali mestsk\u00fd odev, ktor\u00fd nemal tak\u00fa hodnotu ako p\u00f4vodn\u00fd \u013eudov\u00fd, no \u013eah\u0161ie sa udr\u017eiaval, bol praktickej\u0161\u00ed na nosenie. <\/p>\n\n\n\n

Patr\u00edm do skupiny \u013eud\u00ed, ktor\u00ed zdedili mal\u00fa \u010das\u0165 kroja, druh\u00fa \u010das\u0165 mojej zbierky tvoria k\u00fapen\u00e9 odevn\u00e9 s\u00fa\u010diastky, v\u00e4\u010d\u0161inou na baz\u00e1re, z druhej ruky. \u017dia\u013e pred\u00e1vaj\u00faci mi vedel poveda\u0165 len to z akej dediny vec poch\u00e1dza a aj to nie v\u017edy spr\u00e1vne, p\u00f4vodn\u00fd tvorca, vlastn\u00edk tak zost\u00e1va nezn\u00e1my. \u010eal\u0161\u00ed probl\u00e9m je aj vtom, \u017ee miesto n\u00e1lezu nemus\u00ed by\u0165 toto\u017en\u00e9 s miestom, kde odevn\u00e1 s\u00fa\u010diastka bola p\u00f4vodne vytvoren\u00e1. <\/p>\n\n\n\n

Ke\u010f prekres\u013eujem tak\u00e9to v\u00fd\u0161ivky, aby som vedela pre\u010d\u00edta\u0165 kr\u00ed\u017eiky, tak potrebujem lupu, alebo si vzor odfot\u00edm, n\u00e1sledne stiahnem do po\u010d\u00edta\u010da, pribl\u00ed\u017eim, zv\u00e4\u010d\u0161\u00edm a n\u00e1sledne zazna\u010d\u00edm do \u0161tvorcov 3x3mm na \u0161tvor\u010dekov\u00fd papier, form\u00e1t A3, aby sa mi vmestil ucelen\u00fd vzor, ktor\u00fd sa potom opakuje. Pln\u00fa v\u00fd\u0161ivku prekres\u013eujem na pauzovac\u00ed papier priamo z odevu najsk\u00f4r na „ne\u010disto“ a potom e\u0161te raz, niekedy aj viackr\u00e1t s nezm\u00fdvate\u013enou fixkou s najten\u0161\u00edm hrotom. Takto prekreslen\u00e9 vzory obohacuj\u00fa moju zbierku krojov, ich vzorov, no z\u00e1rove\u0148 prostredn\u00edctvom tohto blogu pon\u00fakam \u013eu\u010fom, ktor\u00ed radi vy\u0161\u00edvaj\u00fa, na nekomer\u010dn\u00e9 \u00fa\u010dely, mo\u017enos\u0165 pod\u013ea mnou prekreslen\u00fdch vzorov vy\u0161\u00edva\u0165. <\/p>\n\n\n\n

Budem rada, ak prostredn\u00edctvom tohto blogu vzbud\u00edm z\u00e1ujem o vy\u0161\u00edvanie a t\u00fdm sa napln\u00ed moje poslanie (rob\u00edm to bez finan\u010dnej odmeny). Do dne\u0161n\u00e9ho d\u0148a je na mojom blogu skoro 140 tis\u00edc vzhliadnut\u00ed a ja m\u00e1m z toho ve\u013ek\u00fa rados\u0165.<\/p>\n\n\n\n

Moji predkovia, sedliaci<\/h2>\n\n\n\n
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O\u010den\u00e1\u0161ovci, gazdovia, rok 1934, dc\u00e9ry, vnu\u010dky s\u00fa hornia\u010dky, 2 nevesty krek\u00e1\u010dky (v tomto obdob\u00ed sa len v\u00fdnimo\u010dne sob\u00e1\u0161ili horniaci s krk\u00e1\u010dkami a opa\u010dne, po 2. svet. vojne to bolo be\u017en\u00e9). Na fotografii sediaci chlap\u010dek tret\u00ed sprava je m\u00f4j otec \u0160tefan O\u010den\u00e1\u0161, ke\u010f mal 5 rokov.<\/figcaption><\/figure>\n\n\n\n
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O\u010den\u00e1\u0161ovci na majeri ( v katastri Doln\u00fd Jal\u0161ov\u00edk, okr. Krupina), fotografia vznikla asi v roku 1939, m\u00f4j otec vpredu druh\u00fd sprava, jeho mama, moja stark\u00e1 Margita O\u010den\u00e1\u0161ov\u00e1, rod. Stehl\u00edkov\u00e1 je tretia z\u013eava<\/figcaption><\/figure>\n\n\n\n
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Moja stark\u00e1 Margita O\u010den\u00e1\u0161ov\u00e1, rod. Stehl\u00edkov\u00e1, nar. 8.8.1898 Detva-Pie\u0161\u0165, ke\u010f mala 10 rokov sa pres\u0165ahovala s rodi\u010dmi do \u010cekoviec, vydala sa na O\u010den\u00e1\u0161ov majer, zomrela 16.6.1974 na Bov\u00edku-O\u010den\u00e1\u0161ovom laze, bola hornia\u010dka. <\/figcaption><\/figure>\n\n\n\n
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Moja mama v hontianskom, krek\u00e1\u010dskom kroji ako 10 ro\u010dn\u00e1, v roku 1940 (na za\u010diatku II. svet. vojny). Je to jedin\u00e1 spolo\u010dn\u00e1 fotka rodiny s rodi\u010dmi a bratom. <\/figcaption><\/figure>\n\n\n\n
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Mama Anna O\u010den\u00e1\u0161ov\u00e1, roden\u00e1 Bart\u00edkov\u00e1 (29.5.1930-23.11.2013) v polokroji, fotografia vznikla asi v roku 1949-1950, mama ju mala aj v ob\u010dianskom preukaze. <\/figcaption><\/figure>\n\n\n\n
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Moji rodi\u010dia v roku 1952<\/figcaption><\/figure>\n\n\n\n
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Moja stark\u00e1 hornia\u010dka Margita O\u010den\u00e1\u0161ov\u00e1, roden\u00e1 Kon\u00f4pkov\u00e1 so svojimi vnu\u010dkami, mojimi sesternicami Ani\u010dkou Mozo\u013eovou a Gitkou Tane\u010dkovou, v lone sed\u00ed moja sestri\u010dka Marienka. Fotka vznikla v roku 1952.<\/figcaption><\/figure>\n\n\n\n
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Tieto voskov\u00e9 (?) papieriky so vzorkami na vy\u0161\u00edvanie s\u00fa pre m\u0148a ve\u013emi vz\u00e1cne. S\u00fa od mojej mamy (1930-2013), ktor\u00e1 ich kreslila. Maj\u00fa viac ako 70 rokov a patria medzi moje poklady.<\/figcaption><\/figure>\n\n\n\n
Nie som fotografka, ale fot\u00edm rada. Nie som etnografka, ale m\u00e1m rada kroje. Obdivujem n\u00e1dhern\u00e9 v\u00fd\u0161ivky, \u013eud\u00ed, ktor\u00ed ich vytvorili, prekres\u013eujem vzory, vytv\u00e1ram z nich zbierku, ktor\u00e1 tu po mne zostane.<\/h5>\n\n\n\n
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Foto rok 2019<\/figcaption><\/figure>\n\n\n\n

KREK\u00c1\u010cSKY KROJ\/\u013eudov\u00fd odev<\/strong><\/p>\n\n\n\n

Prezentovan\u00fd \u013eudov\u00fd odev v tomto pr\u00edspevku patr\u00ed do krek\u00e1\u010dskeho kroja. Obliekali sa do neho moji predkovia z maminej strany, boli krek\u00e1\u010di a aj preva\u017en\u00e1 \u010das\u0165 obyvate\u013eov severov\u00fdchodn\u00e9ho Hontu v okrese Krupina. Tu \u017eili aj pris\u0165ahovalci z oblasti Podpo\u013eania a t\u00fdm hovorili horniaci. T\u00ed sa obliekali podobne ako \u013eudia z okolia Dobrej Nivy, Plie\u0161oviec. Mu\u017ei sk\u00f4r, \u017eeny po druhej svetovej vojne sa za\u010dali oblieka\u0165 do polokroja, opleck\u00e1 vymenili za ko\u0161ie\u013eky a rozdiel medzi krek\u00e1\u010dkami a hornia\u010dkami sa str\u00e1cal.<\/p>\n\n\n\n

V mojej zbierke pri niektor\u00fdch krojov\u00fdch s\u00fa\u010diastkach neviem presne ur\u010di\u0165 p\u00f4vod, spolieham sa na vyjadrenie pred\u00e1vaj\u00facich. Aj pri kroji ktor\u00fd som zdedila sa \u0165a\u017eko ur\u010duje p\u00f4vodn\u00fd vlastn\u00edk a obdobie vzniku len typujem, \u017ee \u010do asi a kedy vy\u0161ila moja mama, prastar\u00e1 mama, mo\u017eno aj stark\u00e1, ktor\u00e1 pri\u0161la v detstve o prav\u00fa ruku a nau\u010dila sa dokonca aj vy\u0161\u00edva\u0165 \u013eavou. Mama sa narodila na Senohrade pri Vidovom vrchu, stark\u00e1 tie\u017e, prastark\u00e1 za Senohradom smer Rie\u010dky, potom sa pres\u0165ahovali do Doln\u00fdch Mladon\u00edc, mama sa vydala na Bzov\u00edk-O\u010den\u00e1\u0161ov laz do horniackej rodiny. Nesk\u00f4r si rodi\u010dia postavili dom v susednej dedine Jal\u0161ov\u00edk. Toto v\u0161etko mohlo ovplyvni\u0165 aj ich kroj, ktor\u00fd s l\u00e1skou opatrujem, prekres\u013eujem, renovujem a vy\u0161\u00edvam, zverej\u0148ujem, informujem, poukazujem na jeho v\u00fdnimo\u010dn\u00fa kr\u00e1su vzorov a farieb.<\/p>\n\n\n\n

Moja zbierka krojov a ich prekreslen\u00fdch vzorov<\/strong><\/p>\n\n\n\n

Prekres\u013eovala som na form\u00e1t A3, tla\u010di\u0165 vzory z plnej v\u00fd\u0161ivky mus\u00edte na A3, len tak bud\u00fa v skuto\u010dnej ve\u013ekosti 1:1, v\u00fd\u0161ivky vy\u0161it\u00e9 kr\u00ed\u017eikmi m\u00f4\u017eete vytla\u010di\u0165 na ak\u00fdko\u013evek form\u00e1t.<\/strong><\/p>\n\n\n\n

Preh\u013ead<\/strong><\/p>\n\n\n\n

N\u00e1zov kroja<\/td>krek\u00e1\u010dsky<\/td><\/tr>
Oblas\u0165<\/td>severov\u00fdchodn\u00fd Hont, okr. Krupina<\/td><\/tr>
Obce s podobn\u00fdm tradi\u010dn\u00fdm odevom<\/td>Bzov\u00edk, Senohrad, Litava, Lackov, Trp\u00edn, Koz\u00ed Vrbovok, Jal\u0161ov\u00edk, Doln\u00e9 a Horn\u00e9 Mladonice, \u010cekovce, Horn\u00fd a Doln\u00fd Bad\u00edn, Selce, U\u0148at\u00edn<\/td><\/tr>
P\u00f4vodn\u00fd vlastn\u00edk a tvorca krojov\u00fdch s\u00fa\u010diastok ktor\u00e9 som zdedila<\/td>Katar\u00edna Guttenov\u00e1, r. Bart\u00edkov\u00e1 (1884-1962), Dorota Bart\u00edkov\u00e1, r. Guttenov\u00e1 (1910-1981), Anna O\u010den\u00e1\u0161ov\u00e1, r. Bart\u00edkov\u00e1 (1930-2013)<\/td><\/tr>
P\u00f4vod k\u00fapen\u00fdch krojov\u00fdch s\u00fa\u010diastok<\/td>Pri k\u00fape zis\u0165ujem p\u00f4vod, \u017eia\u013e nikdy sa nedozviem, kto bol p\u00f4vodn\u00fd vlastn\u00edk, len z akej dediny krojov\u00e1 s\u00fa\u010diastka poch\u00e1dza, niekedy ani to nie.<\/td><\/tr>
Krojov\u00e9 s\u00fa\u010diastky poch\u00e1dzaj\u00fa z obdobia<\/td>Od za\u010diatku 20. stor. a\u017e po druh\u00fa pol. 20. storo\u010dia<\/td><\/tr>
S\u00fa\u010dasn\u00fd majite\u013e<\/td>Anna \u010cep\u00e1kov\u00e1, r. O\u010den\u00e1\u0161ov\u00e1 (nar. 1956)<\/td><\/tr>
Pod\u013ea origin\u00e1lu prekreslila\/odfotila\/rok<\/td>Anna \u010cep\u00e1kov\u00e1, r. O\u010den\u00e1\u0161ov\u00e1 2018-2023<\/td><\/tr>
\u010co patr\u00ed k sebe v krek\u00e1\u010dskom kroji<\/td> Diev\u010densk\u00fd a \u017eensk\u00fd odev<\/u><\/strong>  <\/u><\/strong> \u010depiec ( k nemu kot\u00fa\u010dka, stuhy), \u0161atka, vy\u0161\u00edvan\u00fd ru\u010dn\u00ed\u010dek do ruky alebo za p\u00e1s,  st\u00e1nka, rub\u00e1\u0161 \u201erub\u00e1\u010d,\u201c \u201eritn\u00edk\u201c na roz\u0161\u00edrenie bokov, ruk\u00e1vce \u201eop\u013eecko,\u201c spodn\u00e1  suk\u0148a,  na bielom vy\u0161\u00edvan\u00e1 vrchn\u00e1 suk\u0148a, alebo suk\u0148a ozdoben\u00e1 v\u0161it\u00fdmi \u010dipkami \u201erackami,\u201c je \u201ekinte\u0161\/kece\u013ea,\u201c suk\u0148a zo zamatu, brok\u00e1tu, ka\u0161m\u00edru \u201ekit\u013ea\/kid\u013ea\u201c,  tkanica\/stuhy na ovinutie p\u00e1sa, (zatv\u00e1rac\u00ed \u0161pendl\u00edk \u201ezicherka\u201c na zapnutie tkanice), z\u00e1stera z modrotla\u010de, glotu, perk\u00e1lu \u201e\u0161ata,\u201c \u010derveno \u010dierna glotov\u00e1 z\u00e1stera \u201efu\u0165ienka,\u201c kab\u00e1tik \u201evizitka\/\u013eipi\u0165inka,\u201c  v zime ko\u017euch, vlniak \u201eodev\u00e1k,\u201c diev\u010dat\u00e1 do vrko\u010da tr\u00e1\u010dok (3 bmbolce), ozdobn\u00fd kr\u00fa\u017eok-n\u00e1ta\u010dka (na Bzov\u00edku), 1-2 bro\u0161ne (pripn\u00fa\u0165 na r\u00e1zporok oplecka), garole na konci \u010diernej tenkej stu\u017eky, obuv \u010dierne \u010di\u017emy, nov\u0161\u00ed variant \u010dierne poltop\u00e1nky na n\u00edzkom podp\u00e4tku s prackou, aj bez.   Mu\u017esk\u00fd\/chlap\u010densk\u00fd odev<\/u><\/strong>  <\/u><\/strong> ko\u0161e\u013ea so stoja\u010dikom\/golierom, n\u00e1prsenka ozdoben\u00e1 z\u00e1mikmi, alebo v\u00fd\u0161ivkou aj golier, man\u017eeta, samostatn\u00e1 n\u00e1prsenka na ko\u0161e\u013eu so stoja\u010dikom, zap\u00ednala sa vzadu,  \u010dierna vesta, pl\u00e1tenn\u00e9 gate, s\u00fakenn\u00e9 nohavice,  nesk\u00f4r rajtky a nohavice mestsk\u00e9ho typu, z\u00e1stera,  obuv \u010di\u017emy, nesk\u00f4r cel\u00e9 top\u00e1nky, klob\u00fak, kabanica, ko\u017euch, nesk\u00f4r kab\u00e1t.<\/td><\/tr>
Prekreslen\u00fd vzor<\/td>Pln\u00e1 v\u00fd\u0161ivka, stonkov\u00fd steh na pauzovacom, kr\u00ed\u017eikov\u00e1 v\u00fd\u0161ivka na \u0161tvorcovom papieri 0,3×0,3 mm, form\u00e1t A3<\/td><\/tr>
Vy\u0161\u00edvacie techniky<\/td>Prevl\u00e1da  kr\u00ed\u017eikov\u00e9 vy\u0161\u00edvanie (ve\u013emi drobn\u00e9 kr\u00ed\u017eiky cez dve niete na dom\u00e1com, alebo k\u00fapenom pl\u00e1tne), kr\u00ed\u017eiky sa vy\u0161\u00edvali  \u201eod opaku\u201c  tak, \u017ee z rubnej strany sa prifercovala vy\u0161\u00edvacia tkanina a na t\u00fa sa vy\u0161\u00edvalo, v\u00fd\u0161ivky s\u00fa  pekn\u00e9 z obidvoch str\u00e1n.       Vy\u0161\u00edvanie pod\u013ea po\u010d\u00edtan\u00fdch nit\u00ed<\/u><\/strong> Kr\u00ed\u017eikov\u00fd steh, kr\u00ed\u017eiky vy\u0161it\u00e9 cez dve nite z rubovej strany    Vrk\u00f4\u010dikov\u00fdm  kr\u00ed\u017eikom sa vy\u0161\u00edvala \u201eomietka\u201c okolo v\u00e4\u010d\u0161\u00edch vzorov,  hlavne na ruk\u00e1vcoch. ( Ihla sa vpichne kolmo zhora nadol a potom z\u013eava doprava \u0161ikmo hore o dvojn\u00e1sobn\u00fd po\u010det nit\u00ed…)   Hladkovac\u00ed steh sa objavuje v kombin\u00e1cii s v\u00fdrezom, kr\u00ed\u017eikom, hrachovinkou a pod. Stehy sa vy\u0161\u00edvaj\u00fa husto ved\u013ea seba.   Me\u0161terky, krivinky, krokvi\u010dky, vy\u0161\u00edvanie na sieti, hrachovinka,  zdob\u00ed mnoho s\u00fa\u010diastok.   Vy\u0161\u00edvanie pod\u013ea predkreslen\u00e9ho vzoru<\/u><\/strong> V mojej zbierke s\u00fa v\u00fd\u0161ivky vy\u0161it\u00e9 hust\u00fdm pln\u00fdm ploch\u00fdm stehom ale aj retiazkov\u00fdm stehom vy\u0161it\u00e9 krivou ihlou pod\u013ea predkreslen\u00e9ho vzoru     Vy\u0161\u00edva\u010dky \u010dasto uplat\u0148ovali \u00fa\u010delov\u00e9 stehy<\/u><\/strong>: spojovacie \u0161v\u00edky, slu\u010dkovanie, \u0161itie cez riasy<\/td><\/tr>
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Pozn\u00e1mka<\/td>\u010casto odev zdobia hontianske pali\u010dkovan\u00e9 \u010dipky<\/u><\/strong>: predn\u00e1 \u010das\u0165 \u010depca, v\u0161it\u00e9 kliny do bielych sukn\u00ed \u201cracki\u201c<\/td><\/tr>
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I. \u0160ATKY<\/h2>\n\n\n\n

Na \u010depce sa uv\u00e4zovali \u0161atky „ru\u010dn\u00edky“ vy\u0161\u00edvan\u00e9 na bielom pl\u00e1tne, na \u010diernom, bordovom, zelenom zamate kr\u00ed\u017eikmi, pln\u00fdm ploch\u00fdm stehom aj krivou ihlou, maj\u00fa \u0161tvorcov\u00fd tvar, v\u00fd\u0161ivka je v rohu a niekedy aj okolo z dvoch str\u00e1n v obl\u00fa\u010dikoch, alebo v „zuboch“. \u0160atky vy\u0161\u00edvan\u00e9 na bielom pl\u00e1tne s\u00fa \u010dasto ozdoben\u00e9 na dvoch stran\u00e1ch tov\u00e1renskou \u010dipkou. V zbierke m\u00e1m aj \u0161atky farbiarske, olejky, brok\u00e1tov\u00e9, ka\u0161m\u00edrov\u00e9…Uv\u00e4zovali si ich deti, dievky, \u017eeny pod\u013ea pr\u00edle\u017eitosti, veku, ro\u010dn\u00e9ho obdobia, v zime aj vlniak.<\/p>\n\n\n\n

Postup uv\u00e4zovania \u0161atky<\/strong>:<\/p>\n\n\n\n

    \n
  • \u0161atku prehneme do pravideln\u00e9ho trojuholn\u00edka tak, aby vonkaj\u0161ia strana prekryla vn\u00fatorn\u00fa a potom e\u0161te raz zahneme dovn\u00fatra pribli\u017ene 3-5 cm lem na naj\u0161ir\u0161ej strane trojuholn\u00edka<\/li>\n\n\n\n
  • polo\u017e\u00edme ju na vrch hlavy, jedenkr\u00e1t zahneme smerom k sluch\u00e1m, pod bradou, nie silno zavia\u017eeme, nadvihneme stred \u0161atky nad \u010delom do „chochl\u00edka“ a pod bradou ju dovia\u017eeme<\/li>\n\n\n\n
  • ak \u0161atku uv\u00e4zujeme na \u010depiec tak tak, aby predn\u00fa \u010das\u0165 predni\u010dky bolo tro\u0161ku vidie\u0165 pod „chochl\u00edkom“<\/li>\n<\/ul>\n\n\n\n

    \u0160atka, Jal\u0161ov\u00edk, pol. 20. stor., pln\u00fd ploch\u00fd steh, pod\u013ea predkreslen\u00e9ho vzoru, hladkovanie, vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
    \"\"
    Nako\u013eko sa mi cel\u00fd vzor nedal prekresli\u0165 na A3, tak kvet v pravom rohu hore, si v pr\u00edpade potreby mus\u00edte prekresli\u0165 v\u013eavo hore. <\/figcaption><\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
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    Preskenovan\u00e1 \u0161atka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    \u0160atka, Jal\u0161ov\u00edk, pol. 20. stor., pln\u00fd ploch\u00fd steh, hladkovanie, vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    Preskenovan\u00e1 \u0161atka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    \u0160atka, Jal\u0161ov\u00edk, pol. 20. stor., hladkovanie, kriv\u00e1 ihla, vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    Preskenovan\u00e1 v\u00fd\u0161ivka 1:1<\/p>\n\n\n\n

    Preskenovan\u00e1 \u0161atka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    \u0160atka, Bzov\u00edk-O\u010den\u00e1\u0161ov laz, pol. 20. stor., pln\u00fd ploch\u00fd steh, vy\u0161ila Agnesa Kon\u00f4pkov\u00e1, rod. O\u010den\u00e1\u0161ov\u00e1 (1919-2014)<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    \"\"
    V\u013eavo hore dokresli\u0165 klasy<\/figcaption><\/figure>\n\n\n\n
    \"\"
    Preskenovan\u00e1 v\u00fd\u0161ivka
    <\/figcaption><\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    \u0160atka, Litava, asi pol. 20. stor., pln\u00fd ploch\u00fd steh, hladkovanie, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    Preskenovan\u00e1 v\u00fd\u0161ivka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    \u0160atka, Litava, pol. 20.stor., pln\u00fd ploch\u00fd steh, vy\u0161it\u00e1 pod\u013ea predkreslen\u00e9ho vzoru, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    \u0160atka, bordov\u00fd zamat, Jal\u0161ov\u00edk, pol. 20. stor., hladkovanie, kr\u00ed\u017eikov\u00e9 vy\u0161\u00edvanie, vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    \u0160atka, zelen\u00fd zamat, Jal\u0161ov\u00edk, pol. 20. stor., hladkovanie, kriv\u00e1 ihla, vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    Preskenovan\u00e1 \u0161atka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    \u0160atka, Litava, pol. 20. stor. vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my.<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    Preskenovan\u00e1 \u0161atka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    Ru\u010dn\u00ed\u010dky do ruky, za p\u00e1s<\/h6>\n\n\n\n

    s\u00fa z bieleho pl\u00e1tna, obh\u00e1\u010dkovan\u00e9, alebo ob\u0161it\u00e9 bavlnenou madeirovou \u010dipkou, v\u00e4\u010d\u0161inou vy\u0161it\u00e9 pln\u00fdm ploch\u00fdm stehom. Nosil sa len vo sviato\u010dn\u00e9 pr\u00edle\u017eitosti v ruke, alebo sa zasunul za p\u00e1s a zaistil dvakr\u00e1t op\u00e1sanou tkanicou. <\/p>\n\n\n\n

    \"\"
    Vy\u0161\u00edvan\u00fd ru\u010dn\u00ed\u010dek za p\u00e1s<\/figcaption><\/figure>\n\n\n\n
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    Ru\u010dn\u00ed\u010dek z Jal\u0161ov\u00edka, vlastn\u00edk rodina Sedm\u00e1kov\u00e1<\/figcaption><\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    Ru\u010dn\u00ed\u010dky, vzor z okolia Bzov\u00edka<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n
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    Ru\u010dn\u00ed\u010dky z Plie\u0161oviec<\/p>\n\n\n\n

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    II. \u010cEPCE <\/h2>\n\n\n\n

    \u010cepce v mojej zbierke s\u00fa zdeden\u00e9, alebo k\u00fapen\u00e9, vy\u0161\u00edvan\u00e9 na bielom jemnom pl\u00e1tne, nov\u0161ie na paname, sie\u0165ovan\u00edm, plnou v\u00fd\u0161ivkou, naj\u010dastej\u0161ie v\u0161ak mrie\u017ekou „hrachovinkou“, aj kr\u00ed\u017eikmi. Skladaj\u00fa sa z predni\u010dky, pribli\u017en\u00e1 ve\u013ekos\u0165 8×8 cm a z dienka o pribli\u017enej ve\u013ekosti 43x30cm + 5 cm na tunel. Predn\u00e1 \u010das\u0165 je lemovan\u00e1 pali\u010dkovanou \u010dipkou, na spodnej \u010dasti cez „tunel“ sa s\u0165ahuje \u00fazka dlh\u00e1 stuha. Na \u0161\u00edrku predni\u010dky, v prednej \u010dasti \u010depca, b\u00fdva pri\u0161it\u00e9 farebn\u00e9, vzorovan\u00e9 pl\u00e1tenko, ktor\u00e9 kon\u010d\u00ed pri\u0161it\u00e9 pod „tunelom,“ jeho rozmer je pribli\u017ene 8×56 cm, z\u00e1le\u017e\u00ed od ve\u013ekosti hlavy. <\/p>\n\n\n\n

    \u00daprava vlasov pred zakladan\u00edm \u010depca<\/strong><\/p>\n\n\n\n

      \n
    • vlasy sa rozdelia do dvoch prame\u0148ov, v\u00a0strede hlavy sa urob\u00ed rovn\u00e1 cesti\u010dka,\u00a0 vpredu a\u00a0nad u\u0161ami sa na vlasy nanesie pom\u00e1da (kedysi sa varila z\u00a0v\u010delieho vosku, z\u00a0kolof\u00f3nie-\u017eivice a\u00a0masti, alebo loja). Nad \u010delom sa nahladko urobia z\u00a0vlasov dva mierne obl\u00fa\u010diky a\u00a0 za\u010de\u0161\u00fa sa dozadu, kde sa obkr\u00fatia okolo val\u010deka, alebo sa zaplet\u00fa, ak s\u00fa hust\u00e9, alebo sa okolo nich omot\u00e1 dlh\u00fd p\u00e1s pl\u00e1tna, na konci s\u00fa pri\u0161it\u00e9 \u0161n\u00farky, ktor\u00fdmi sa prichytia omotan\u00e9 pramene vlasov okolo hlavy a\u00a0zvia\u017eu sa na vrchu \u00fa\u010desu. <\/li>\n\n\n\n
    • ak \u017eena m\u00e1 menej vlasov, alebo s\u00fa krat\u0161ie, tak si zalo\u017e\u00ed na hlavu \u201ekitku\/kot\u00fa\u010dku“ z handri\u010diek, alebo zo zv\u00e4zku napraden\u00fdch nit\u00ed, omotan\u00fdch pl\u00e1tenkom. Kot\u00fa\u010dka sa v s\u00fa\u010dasnosti rob\u00ed z dr\u00f4tu, ktor\u00fd sa obal\u00ed pl\u00e1tnom, alebo bavlnenou keprovou stuhou, ktor\u00fa si pripevn\u00ed na\u00a0 hlavu pri\u0161it\u00fdmi \u0161n\u00farkami.<\/li>\n\n\n\n
    • na vytvarovan\u00e9 \u201erohy\u201c\u00a0 \u00a0sa zalo\u017e\u00ed \u010depiec tak, aby vpredu nad \u010delom bolo vidie\u0165 len \u00fazky p\u00e1s uhladen\u00fdch vlasov, \u00a0poza u\u0161i. Tenkou stuhou sa \u010depiec vzadu stiahne, prekr\u00ed\u017ei, raz sa obvia\u017ee okolo \u010depca, potom sa na\u0148 prilo\u017eia dve stuhy a\u00a0tre\u0165ou z\u00a0\u010depca sa vzadu na tyle spolu zvia\u017eu do \u201evank\u00fa\u0161ika\u201c\u00a0<\/li>\n<\/ul>\n\n\n\n

      Pravidl\u00e1 uv\u00e4zovania st\u00fah<\/strong><\/p>\n\n\n\n

      \u010cepiec je symbol vydatej \u017eeny, bez ktor\u00e9ho sa nemohla uk\u00e1za\u0165 na verejnosti. Nosil sa vo v\u0161edn\u00e9 i sviato\u010dn\u00e9 dni. Na za\u010dep\u010denie sa priv\u00e4zovali dve stuhy s farebn\u00fdmi kvetmi na bielom a \u017eltom podklade, na vrch ako posledn\u00e1 sa priviazala \u010derven\u00e1 stuha bez vzoru, t\u00fa nosili \u017eeny dovtedy, k\u00fdm neporodili prv\u00e9 die\u0165a. Potom si uv\u00e4zovali dve stuhy, \u010derven\u00fa stuhu s kvetmi ako vrchn\u00fa, ke\u010f porodila druh\u00e9 a viac det\u00ed, tak si uv\u00e4zovali dve kvetovan\u00e9 stuhy, len nie s \u010derven\u00fdm podkladom.<\/p>\n\n\n\n

      Pravidl\u00e1 pri uv\u00e4zovan\u00ed krojov\u00fdch st\u00fah pod\u013ea Tonky Stehl\u00edkovej zo Senohradu<\/u><\/strong><\/p>\n\n\n\n

      Mlad\u00e1 nevesta vo venci<\/u><\/strong>  musela ma\u0165 v korunke tri 1,70 cm stuhy \u0161irok\u00e9 cca 8-10cm: kvety na bielom, kvety na \u010dervenom  podklade a  na vrchu \u010disto \u010derven\u00fa stuhu.<\/p>\n\n\n\n

       Mlad\u00e1 nevesta pri \u010dep\u010den\u00ed<\/u><\/strong> musela ma\u0165 cez \u010depiec uviazan\u00e9 tri stuhy s kvetmi na bielom, \u017eltom podklade, ako posledn\u00e1 sa uv\u00e4zovala \u010disto \u010derven\u00e1 stuha, niekde vzorovan\u00e1 na \u010dervenom podklade, d\u013a\u017eka asi 1,70cm tak, aby siahali v\u0161etky pod p\u00e1s. Treba si vypo\u010d\u00edta\u0165 d\u013a\u017eku 2,5-3cm \u00fazkej stuhy, ktor\u00e1 sa s\u0165ahuje do \u010depca, lebo m\u00e1 visie\u0165 do takej d\u013a\u017eky ako \u0161irok\u00e9 stuhy. T\u00e1to \u00fazka stuha sa stiahne vzadu tak, aby \u010depiec bol za u\u0161ami, prekr\u00ed\u017ei sa na vrchu hlavy a vzadu na v\u00e4zoch sa na Senohrade zvia\u017eu na „vank\u00fa\u0161ik“ \u00fazkou stuhou tri, na Bzov\u00edku (pod\u013ea Margitky Pavlendovej), Dolnom Bad\u00edne (pod\u013ea Agnesky Fabianovej) dve \u0161irok\u00e9 kvetinkov\u00e9 stuhy a v\u0161etky visia dole poni\u017ee p\u00e1sa do rovnakej d\u013a\u017eky.<\/p>\n\n\n\n

      Star\u00e9 \u017eeny nosili len biele \u010depce, predni\u010dka bola vy\u0161it\u00e1 len bielym. <\/p>\n\n\n\n

      \"\"
      Moje tzv. krek\u00e1\u010dske \u010depce, zdeden\u00e9, niektor\u00e9 k\u00fapen\u00e9<\/figcaption><\/figure>\n\n\n\n
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      \u010cepiec svadobn\u00fd (na za\u010dep\u010denie), Senohrad, druh\u00e1 pol. 20. stor. p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
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      \u010cepiec, Jal\u0161ov\u00edk, pol. 20. stor. vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2023) a pod\u013ea nej Anna \u010cep\u00e1kov\u00e1 2021-2022<\/p>\n\n\n\n

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      \u010cepiec, Senohrad, druh\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

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      \u010cepiec, Bzov\u00edk, druh\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

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      \u010cepiec, Doln\u00e9 Mladonice, druh\u00e1 pol. 20. stor. p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
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      \u010cepiec, Litava, druh\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

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      \u010cepiec, Litava, druh\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

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      \u010cepce z okolia Bzov\u00edka, Senohradu<\/h2>\n\n\n\n

      \u010cepiec z Litavy<\/p>\n\n\n\n

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      \u010cepiec z okolia Bzov\u00edka <\/p>\n\n\n\n

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      \u010cepiec, zo Senohradu<\/p>\n\n\n\n

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      \u010cepiec zo Senohradu<\/p>\n\n\n\n

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      \u010cepiec (krek\u00e1\u010dsky), p\u00f4vod nezn\u00e1my<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
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      \u010cepiec z Litavy<\/p>\n\n\n\n

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      \"\"<\/figure>\n\n\n\n

      \u010cepiec (krek\u00e1\u010dsky) z okolia Bzov\u00edka<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      \u010cepiec, Jal\u0161ov\u00edk, pol. 20.stor. vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, \u010dipku vytvorila Katar\u00edna Guttenov\u00e1 <\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      \u010cepiec, Jal\u0161ov\u00edk, pol. 20. stor.,vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1 <\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      \u010cepiec, Jal\u0161ov\u00edk, pol. 20. stor. vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1 <\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"
      Dienko roz\u0161\u00edren\u00e9 v\u00fd\u0161ivkou, pali\u010dkovan\u00fa \u010dipku vytvorila Katar\u00edna Guttenov\u00e1<\/figcaption><\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      Krek\u00e1\u010dsky \u010depiec, p\u00f4vod nezn\u00e1my<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      \u010cepiec, Jal\u0161ov\u00edk, pol. 20.stor. vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      \u010cepiec zo Senohradu uv\u00e1dzam pre ve\u013emi pekn\u00fd vzor, p\u00f4vodn\u00fd vlastn\u00edk je nezn\u00e1my, v s\u00fa\u010dasnosti patr\u00ed Zuzanke Kov\u00e1\u010dovej z Bratislavy.<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      Detsk\u00fd \u010dep\u010dek zo Senohradu<\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n

      III. RUK\u00c1VCE\/OPLECK\u00c1 <\/h2>\n\n\n\n

      Ruk\u00e1vce, region\u00e1lny n\u00e1zov opleck\u00e1,  v krek\u00e1\u010dskom \u013eudovom odeve v druhej pol. 20. stor. za\u010dali nahr\u00e1dza\u0165 ko\u0161ie\u013eky.  Origin\u00e1lne opleck\u00e1 v mojej zbierke maj\u00fa pribli\u017ene 100 rokov.<\/strong><\/p>\n\n\n\n

      Opleck\u00e1 s\u00fa u\u0161it\u00e9 z jemn\u00e9ho tov\u00e1rensk\u00e9ho bieleho pl\u00e1tna, star\u0161ie z dom\u00e1ceho. Zadn\u00fd aj predn\u00fd  diel je bohato „narancovan\u00fd, “ rovnako dlh\u00fd. Predn\u00fd  siaha do prostriedku, alebo tesne pod prsia, v strede m\u00e1 pribli\u017ene 25 cm dlh\u00fd ob\u0161it\u00fd r\u00e1zporok okolo ktor\u00e9ho je v\u017edy jednoduch\u00e1 kr\u00ed\u017eikov\u00e1 v\u00fd\u0161ivka a me\u0161terka.<\/strong><\/p>\n\n\n\n

      \u0160irok\u00fd ruk\u00e1v m\u00e1 na prieramku v\u00fd\u0161ivku na sieti, alebo  vyrez\u00e1van\u00fa hrachovinku, kr\u00ed\u017eikom, nov\u0161ie aj krivou ihlou, ve\u013ek\u00fd vzor je ohrani\u010den\u00fd omietkou-vrk\u00f4\u010dikov\u00fdm kr\u00ed\u017eikom, skoro na v\u0161etk\u00fdch,  z hornej a dolnej strany ozdoben\u00fd vzorom vy\u0161it\u00fdm drobn\u00fdmi \u010diernymi kr\u00ed\u017eikmi. Koniec ruk\u00e1vov je vy\u0161it\u00fd ob\u0161\u00edvkou, alebo ho zdob\u00ed pri\u0161it\u00e1 krajovka, asi 1 cm od konca je pri\u0161it\u00fd cez riasy 0,5 cm p\u00e1sik s drobnou jednoduchou v\u00fd\u0161ivkou.  Predn\u00fd, zadn\u00fd diel a ruk\u00e1vy s\u00fa  na hornom okraji  husto nariasen\u00e9, v\u0161it\u00e9 do 1 cm \u0161irok\u00e9ho \u010diernym kr\u00ed\u017eikmi vy\u0161it\u00e9ho golierika, ktor\u00fd sa zap\u00edna na h\u00e1\u010dik. Biely vzor je bez vy\u0161\u00edvania, okolo je omietka.<\/strong><\/p>\n\n\n\n

      Moje vz\u00e1cne opleck\u00e1, ktor\u00e9 asi v prvej pol. 20. stor. vy\u0161\u00edvala pravdepodobne prastar\u00e1 mama Katar\u00edna Guttenov\u00e1 (1884-1962)<\/strong><\/p>\n\n\n\n

      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
        \n
      1. Oplecko, Bzov\u00edk, za\u010diatok 20.storo\u010dia, vy\u0161it\u00e9 kr\u00ed\u017eikmi, vrkv\u00f4\u010dikov\u00fdm kr\u00ed\u017eikom, hladkovan\u00edm, me\u0161terkou, p\u00f4vodn\u00fd vlastn\u00edk je nezn\u00e1my.<\/li>\n<\/ol>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        2. Oplecko, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor. vy\u0161ila kr\u00ed\u017eikmi Katar\u00edna Guttenov\u00e1 (1884-1962)<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        3. Oplecko, Jal\u0161ov\u00edk, za\u010d.20.stor. vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
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        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        4. Oplecko, Litava, pol. 20.stor. vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        5. Oplecko, Litava, druh\u00e1 pol. 20. stor., vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        Skladanie oplecka<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        6. oplecko z Kozieho Vrbovka vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my, predpoklad\u00e1m, \u017ee bolo vy\u0161it\u00e9 v polovici 20. stor. <\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        Podobn\u00fd vzor m\u00e1 oplecko z Doln\u00e9ho Bad\u00edna, ktor\u00e9 patr\u00ed Agneske Fabianovej.<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        Podobn\u00e1 v\u00fd\u0161ivka na oplecku zo Senohradu, p\u00f4vodn\u00fd vlastn\u00edk je nezn\u00e1my, v s\u00fa\u010dasnosti patr\u00ed Zuzanke Kov\u00e1\u010dovej z Bratislavy. V\u00fd\u0161ivku som preskenovala.<\/p>\n\n\n\n

        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        „Rancovanie“ oplecka pomocou obalenej polystyr\u00e9novej dosky a \u0161pendl\u00edkov<\/p>\n\n\n\n

        \"\"
        \u010eakujem Katke Junasovej za n\u00e1pad, \u017ee aj takto sa d\u00e1 „rancova\u0165 „…<\/figcaption><\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        STRIH NA KREK\u00c1\u010cSKE OPLECKO (v\u0161it\u00fd p\u00e1s pod pazuchou)<\/h6>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n
        \"\"<\/figure>\n\n\n\n

        IV. KAB\u00c1TIKY\/VIZITKY\/\u013dIPI\u0164INKY<\/h2>\n\n\n\n

        Region\u00e1lny n\u00e1zov vizitka\/lipitinka<\/p>\n\n\n\n

        Kab\u00e1tiky v mojej zbierke s\u00fa zhotoven\u00e9 z \u010dierneho zamatu, sat\u00e9nu a brok\u00e1tu, maj\u00fa priliehav\u00fd strih. Mal\u00e9  golieriky s\u00fa  \u0161irok\u00e9 1 cm, zap\u00ednaj\u00fa sa na gomb\u00edky alebo patenty, okolo nich je v\u017edy kr\u00ed\u017eikov\u00e1 v\u00fd\u0161ivka, okolo ktorej s\u00fa pri\u0161it\u00e9 ozdobn\u00e9 pr\u00e1miky. Ak nie s\u00fa na konci kab\u00e1tika rance, tak v\u00fd\u0161ivka je aj  na fodre. Na man\u017eet\u00e1ch je tie\u017e kr\u00ed\u017eikmi vy\u0161it\u00fd vzor, za n\u00edm pri\u0161it\u00fd pr\u00e1mik. Kab\u00e1tiky sa nosili v chladnej\u0161om obdob\u00ed, obliekali sa na oplecko, alebo na rub\u00e1\u0161, s\u00fa pod\u0161it\u00e9 dekovinou, na\u0148 si  v pr\u00edpade potreby d\u00e1vali vlniak.<\/p>\n\n\n\n

          \n
        1. Kab\u00e1tik, Doln\u00e9 Mladonice, druh\u00e1 \u0161tvrtina 20. stor., vy\u0161ila kr\u00ed\u017eikmi Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/li>\n<\/ol>\n\n\n\n
          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n

          2. Kab\u00e1tik Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n

          3. Kab\u00e1tik, Jal\u0161ov\u00edk, (mo\u017eno Doln\u00e9 Mladonice) pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n

          4 Kab\u00e1tik, Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n\n\n\n

          5. Kab\u00e1tik, Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n

          6. Kab\u00e1tik, Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n

          7. Kab\u00e1tik, Litava, asi pol. 20. stor. vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n

          8. Kab\u00e1tik svadobn\u00fd, Bzov\u00edk okolie, vy\u0161it\u00fd kr\u00ed\u017eikmi, vzory s\u00fa zhodn\u00e9 so vzormi z Jal\u0161ov\u00edka, in\u00e9 farby, p\u00f4vod nezn\u00e1my<\/p>\n\n\n\n

          \"\"<\/figure>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n

          V. ST\u00c1NKY A RUB\u00c1\u0160<\/h2>\n\n\n\n

          RUB\u00c1\u0160<\/p>\n\n\n\n

          Rub\u00e1\u0161 siaha pod kolen\u00e1,   obliekal sa ako prv\u00fd, horn\u00e1 \u010das\u0165 bola obtiahnut\u00e1, s\u0165ahovala prsia\/hrudn\u00edk. Vzadu nad p\u00e1som je v\u00fd\u0161ivka , pod \u0148ou bohato riasen\u00e1 suk\u0148ovit\u00e1 \u010das\u0165, predn\u00fd diel je rovn\u00fd, zo\u0161it\u00fd v p\u00e1se  z dvoch kusov.<\/p>\n\n\n\n

          ST\u00c1NKA<\/p>\n\n\n\n

          je krat\u0161ia, siaha do v\u00fd\u0161ky bokov, vpredu m\u00e1 rovn\u00fd strih, vzadu nad p\u00e1som je vy\u0161\u00edvan\u00e1 kr\u00ed\u017eikmi, pod p\u00e1som  je viac nariasen\u00e1 ako rub\u00e1\u0161, m\u00e1 za \u00falohu stiahnu\u0165 prsia a roz\u0161\u00edri\u0165 boky, obliekala  sa na sl\u00e1vnostn\u00e9 pr\u00edle\u017eitosti na rub\u00e1\u0161.<\/p>\n\n\n\n

            \n
          1. Rub\u00e1\u0161, Litava, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/li>\n<\/ol>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
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            2. St\u00e1nka, Bzov\u00edk, za\u010d. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
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            3. St\u00e1nka, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor., vy\u0161ila kr\u00ed\u017eikmi Anna Sliacka, rod. Mozo\u013eov\u00e1 (1929-2017)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
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            4. St\u00e1nka pre star\u0161iu \u017eenu, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor.,vy\u0161it\u00e9 kr\u00ed\u017eikmi, predch\u00e1dzaj\u00faci vlastn\u00edk Anna Sliacka, rod. Mozo\u013eov\u00e1 (1929-2017)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
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            5. St\u00e1nka, Litava, za\u010diatok 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
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            6. St\u00e1nka, Litava\/Jal\u0161ov\u00edk?, za\u010diatok 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
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            7. St\u00e1nka, Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
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            \"\"<\/figure>\n\n\n\n
            \"\"
            T\u00e1to st\u00e1nka patr\u00ed Ninke Fekia\u010dovej z Dol. Jal\u0161ov\u00edka a uv\u00e1dzam ju preto, \u017ee m\u00e1 ve\u013emi podobn\u00fa v\u00fd\u0161ivku ako moje st\u00e1nky, ktor\u00e9 som k\u00fapila.<\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            8. st\u00e1nka s podobn\u00fdm vzorom poch\u00e1dza z Litavy, p\u00f4vodn\u00fd vlastn\u00edk je nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            9. St\u00e1nka, Litava, druh\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"
            Najjednoduch\u0161ie sa st\u00e1nka d\u00e1 roz\u0161\u00edri\u0165 tak, \u017ee ju v strede prestrihnete a v\u0161ijete p\u00e1s l\u00e1tky, ktor\u00e1 by mala by\u0165 rovnakej, alebo podobnej farby, kvality. <\/figcaption><\/figure>\n\n\n\n

            10. st\u00e1nka zo Senohradu p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my, s\u00fa\u010dasn\u00fd Zuzana Kov\u00e1\u010dov\u00e1, Bratislava, pod\u013ea nej do mojej zbierky vy\u0161ila M\u00e1ria Ma\u013eov\u00e1 zo Zv. Slatiny<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            VI. \u017dENSK\u00c9 Z\u00c1TERY<\/strong><\/h6>\n\n\n\n

            A. Z\u00e1stera futienka a z\u00e1stery-\u0161aty<\/h2>\n\n\n\n

            Region\u00e1lny n\u00e1zov fiertuchy<\/p>\n\n\n\n

            Glotov\u00e1 z\u00e1stera fu\u0165ienka\/futa, z modrotla\u010de je tarkav\u00e1\/jarab\u00e1 \u0161ata, z \u010dierneho  glotu, perk\u00e1lu je \u0161ata, zo zamatu, zajd\u00ednu fiertucha<\/p>\n\n\n\n

            Fu\u0165ienka- glotov\u00e1<\/strong> z\u00e1stera u\u0161it\u00e1 z \u010dierneho a \u010derven\u00e9ho glotu,  tri diely s\u00fa prie\u010dne zo\u0161\u00edvan\u00e9,  oddelen\u00e9  \u00fazkou \u017eltou stuhou, v strede je v\u017edy \u010derven\u00fd diel, moja 100 ro\u010dn\u00e1 fu\u0165ienka m\u00e1 \u010derven\u00fd p\u00e1s z pl\u00e1tna, zo \u201ez\u00e1stavoviny\u201c. P\u00e1s-obalok, aj spodn\u00e1 \u010das\u0165 b\u00fdva vy\u0161it\u00e1, niekedy namiesto v\u00fd\u0161ivky je pri\u0161it\u00e1 krojov\u00e1 stuha a pr\u00e1miky, na konci futienku zdobia pestrofarebn\u00e9 strapce. Obliekala sa ku bielej sukni s rackami, v s\u00fa\u010dasnosti aj k vy\u0161\u00edvanej vrchnej sukni keceli\/kinte\u0161u.<\/p>\n\n\n\n

            Z\u00c1STERA z modrotla\u010de, \u010dierneho gl\u00f3tu, perk\u00e1lu je \u0161ata<\/p>\n\n\n\n

            Z\u00e1ster\u00e1m  z modrotla\u010de so vzorom sa hovor\u00ed jarab\u00e1 \u0161ata, v niektor\u00fdch krek\u00e1\u010dskych dedin\u00e1ch tarkav\u00e1 \u0161ata. Sklad\u00e1 sa z dvoch p\u00f4l , v strede, zvislo ozdoben\u00e1 pali\u010dkovanou \u010dipkou, bielym \u0161it\u00edm, hrachovinkou. V hornej \u010dasti je nariasen\u00e1, v\u0161it\u00e1 do p\u00e1sa-obalku, ktor\u00fd je vy\u0161it\u00fd kr\u00ed\u017eikmi, krivou ihlou, alebo je z modrotla\u010de, alebo z farebn\u00e9ho pl\u00e1tenka, m\u00e1m aj tak\u00e9, \u017ee na \u010diernom glote je pri\u0161it\u00e1 krojov\u00e1 stuha.<\/p>\n\n\n\n

            \u0160ate sa hovor\u00ed aj z\u00e1ster\u00e1m z gl\u00f3tu, perk\u00e1lu, ktor\u00e9 s\u00fa u\u0161it\u00e9 ako \u0161aty z modrotla\u010de.<\/p>\n\n\n\n

            Z\u00c1STERY fiertuchy<\/p>\n\n\n\n

            S\u00fa u\u0161it\u00e9 z tkan\u00e9ho bieleho pl\u00e1tna, vy\u0161\u00edvan\u00e9 kr\u00ed\u017eikmi cez dve nitky, nov\u0161ie na paname, hladkovan\u00edm, krivou ihlou, lemovan\u00e9 bielou strojovou \u010dipkou \u201e\u0161lingovan\u00edm\u201c.<\/p>\n\n\n\n

            V zbierke m\u00e1m aj z\u00e1stery vy\u0161it\u00e9 kr\u00ed\u017eikmi aj krivou ihlou  na \u010diernom glote, \u010diernom zamate, sat\u00e9ne. Maj\u00fa obd\u013a\u017enikov\u00fd strih, po obvode pri\u0161it\u00fa naskladan\u00fa taftov\u00fa stuhu, alebo v\u00fd\u0161ivku po troch stran\u00e1ch v obl\u00fakoch, alebo v \u201ezuboch.\u201c Nov\u0161ie s\u00fa v spodnej \u010dasti zaoblen\u00e9 a tzv. plie\u0161ovsk\u00e9ho typu, s\u00fa v spodnej \u010dasti narancovan\u00e9.<\/p>\n\n\n\n

            1. Z\u00e1stera futienka, Senohrad, za\u010d. 20. stor. vy\u0161ila kr\u00ed\u017eikmi Katar\u00edna Guttenov\u00e1 (1884-1962)<\/p>\n\n\n\n

            \"\"
            Pod\u013ea tejto 100 ro\u010dnej fu\u0165ienky som u\u0161ila dve nov\u00e9 a postupovala som takto:

            P\u00e1s 60×16 (8+8), \u0161\u00edrka futienky 150cm, d\u013a\u017eka: \u010dierny gl\u00f3t 25×150 cm,  \u010derven\u00fd gl\u00f3t (m\u00f4\u017ee by\u0165 aj oby\u010dajn\u00e9 \u010derven\u00e9 pl\u00e1tno, ktor\u00e9 sa kedysi pou\u017e\u00edvalo na z\u00e1stavy) 35x150cm, posledn\u00fd p\u00e1s \u010dierny gl\u00f3t 24×150 cm, zahne sa pod\u013ea potreby ( napr. na polovicu 12+12cm), \u017elt\u00e1 2 cm \u0161irok\u00e1 stuha sa pri\u0161ije po zo\u0161it\u00ed \u010dierneho a \u010derven\u00e9ho gl\u00f3tu  Celkov\u00e1 d\u013a\u017eka by mala by\u0165 o 5 cm krat\u0161ia ako vrchn\u00e1 suk\u0148a-kynte\u0161. Pred zahnut\u00edm vytvor\u00edme  farebn\u00e9 strapce z bavlniek, ak\u00e9 sme pou\u017e\u00edvali pri vy\u0161\u00edvan\u00ed, pre\u0161ijeme dvakr\u00e1t zahnut\u00e9 bo\u010dn\u00e9 okraje, na drobno nariasime horn\u00fd diel futienky, pribli\u017ene 10 cm od bo\u010dn\u00e9ho kraja. (So \u0161it\u00edm krojov len za\u010d\u00ednam, ako pom\u00f4cku pri riasen\u00ed pou\u017e\u00edvam kanavu, ktor\u00fa si prifercujem, pre\u0161ijem predn\u00fd steh 2 rady pevnou \u010diernou ni\u0165ou,  v\u017edy pich\u00e1m do o\u010diek pod seba s rozdielom pribli\u017ene 4 riadkov, steh je pravideln\u00fd, rovn\u00fd. Po pre\u0161it\u00ed \u0165ah\u00e1m na po\u017eadovan\u00fa \u0161irku obidve nitky naraz, na koncoch zvia\u017eem.)Nakoniec vlo\u017e\u00edme  \u0161n\u00farky na uv\u00e4zovanie,  dokon\u010d\u00edme p\u00e1s a z\u00e1steru.<\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            2. Z\u00e1stera \u0161ata, za\u010d. 20. stor., vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"
            V\u0161etky moje jarab\u00e9\/tarkav\u00e9 modrotla\u010dov\u00e9 z\u00e1stery\/\u0161aty<\/figcaption><\/figure>\n\n\n\n

            3. Z\u00e1stera \u0161ata, asi prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"
            \u017d\u00e1stera\/\u0161ata je u\u0161it\u00e1 z perk\u00e1lu.<\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            4. Z\u00e1stera \u0161ata, Senohrad, vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"
            Z\u00e1stera, \u0161ata z perk\u00e1lu. <\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            B. Z\u00e1stery vy\u0161\u00edvan\u00e9 na bielom<\/h2>\n\n\n\n

            1. Z\u00e1stera, Doln\u00e9 Mladonice, pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            2. Z\u00e1stera, Senohrad, prv\u00e1 pol. 20. stor., kr\u00ed\u017eikmi vy\u0161ila Katar\u00edna Guttenov\u00e1 (1884-1962)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"
            Jednu z\u00e1steru som zdedila a \u010fal\u0161ie dve sa mi podarilo k\u00fapi\u0165 na bazare. <\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"
            Z\u00e1steru pravdepodobne vy\u0161ila moja prastar\u00e1 mama Katar\u00edna Guttenov\u00e1 zo Senohradu<\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            3. Z\u00e1stera, Jal\u0161ov\u00edk, vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            4. Z\u00e1stera, Litava, za\u010d. 20. stor. vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            5. Z\u00e1stera detsk\u00e1, Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor., vy\u0161ila pln\u00fdm stehom Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"
            V\u00fd\u0161ivka z opa\u010dnej strany tie\u017e musela by\u0165 pekn\u00e1…<\/figcaption><\/figure>\n\n\n\n

            6. Z\u00e1stera diev\u010densk\u00e1, Jal\u0161ov\u00edk, druh\u00e1 pol. 20. stor., krivou ihlou vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            C. Z\u00e1stery vy\u0161it\u00e9 na \u010diernom<\/h2>\n\n\n\n

            1. Z\u00e1stera, Dol. Mladonice, pol. 20. stor., kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            2. Z\u00e1stera, Dol. Mladonice, druh\u00e1 pol. 20. stor., kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"
            Z\u00e1stera nie je na „nosenie“, len som zachovala v\u00fd\u0161ivku. <\/figcaption><\/figure>\n\n\n\n
            \"\"
            Zdedila som tak\u00fato n\u00e1dhern\u00fa v\u00fd\u0161ivku, poopravovala ju, pri\u0161ila na zamat. Aj ke\u010f je star\u00fd gl\u00f3t vyblednut\u00fd, vzor, farby, s\u00fa kr\u00e1sne. <\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            3. Z\u00e1stera, Jal\u0161ov\u00edk, pol. 20. stor., kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
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            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            4. Z\u00e1stera, okolie Bzov\u00edka, vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vod nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Preskenovan\u00e1 z\u00e1stera, ve\u013ekos\u0165 „zubov“ treba prisp\u00f4sobi\u0165 ve\u013ekosti vy\u0161it\u00fdch kyti\u010diek okolo.<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            5. Z\u00e1stera, plie\u0161ovsk\u00fd strih, do polokroja, Litava, druh\u00e1 pol. 20. stor., vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            6. Z\u00e1stera po\u0161koden\u00e1, plie\u0161ovsk\u00fd strih, do polokroja, Litava, druh\u00e1 pol. 20. stor., vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"
            Z\u00e1stera je po\u0161koden\u00e1, k\u00fapila som ju kv\u00f4li pekn\u00e9mu vzoru.<\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            7. Z\u00e1stera do polokroja, \u010cekovce, pol. 20. stor., vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            8. Z\u00e1stera, Jal\u0161ov\u00edk, pol. 20. stor., kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1 (1930-2013)<\/p>\n\n\n\n

            \"\"
            Z\u00e1steru som zdedila, je „obnosen\u00e1“, bola roztrhnut\u00e1, je „nenosite\u013en\u00e1“, vzor, farby s\u00fa kr\u00e1sne. <\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            9. Z\u00e1stera, Senohrad, druh\u00e1 pol. 20.stor. vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            10. Z\u00e1stera, Litava, pol. 20.stor. vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Z\u00e1stera svadobn\u00e1, Senohrad, druh\u00e1 pol. 20.stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            VII. SUKNE <\/h2>\n\n\n\n

            VRCHN\u00c1 SUK\u0147A<\/p>\n\n\n\n

            Suk\u0148u kedysi naz\u00fdvali len t\u00fa, ktor\u00e1 bola u\u0161it\u00e1 zo s\u00fakna. Bielej pracovnej sukni hovorili z\u00e1stera, sviato\u010dn\u00e1, vy\u0161it\u00e1 alebo ozdoben\u00e1 v\u0161it\u00fdmi pali\u010dkovan\u00fdmi klinmi \u201erackami,\u201c hovorili \u201ekin\u0165e\u0161,\u201c na Senohrade \u201ekece\u013ea,\u201c je bez \u201e\u0161lingovania.\u201c Sukne vy\u0161it\u00e9 na bielom hladkovan\u00edm, kr\u00ed\u017eikom, krivou ihlou  s\u00fa ukon\u010den\u00e9 bielou tov\u00e1renskou \u010dipkou \u201e\u0161lingovan\u00edm.\u201c Farebn\u00fdm sukniam z modrotla\u010de,  zo zamatu, brok\u00e1tu, ka\u0161m\u00edru hovoria \u201ekit\u013ea\/kid\u013ea.“<\/p>\n\n\n\n

            Medzi najstar\u0161ie pribli\u017ene 100 ro\u010dn\u00e9 sukne v mojej zbierke patria biele, ktor\u00e9 maj\u00fa medzi 6 polami v\u0161it\u00e9 pali\u010dkovan\u00e9 \u010dipky \u201eracki.\u201c<\/p>\n\n\n\n

             Predn\u00fa \u010das\u0165  maj\u00fa v\u0161etky sukne hladk\u00e9, na bokoch a vzadu bohato nariasen\u00e9, v\u0161it\u00e9 do 8 cm \u0161irok\u00e9ho p\u00e1sa, celkov\u00e1 \u0161\u00edrka sukn\u00ed je okolo 3, 5 metra, m\u00e1m aj tak\u00e9, ktor\u00e9 s\u00fa \u0161irok\u00e9 4, 5 metra. S\u00fa rancovan\u00e9 na stole, alebo vo dvojici, rance maj\u00fa \u0161irok\u00e9 cca 5 cm.  Pod vrchn\u00e9 sukne sa obliekaj\u00fa 2-3 spodn\u00e9 sukne, ktor\u00e9 s\u00fa ukon\u010den\u00e9 bielou tov\u00e1renskou \u010dipkou \u201e\u0161lingovan\u00edm.<\/p>\n\n\n\n

            Suk\u0148a, kinte\u0161, Bzov\u00edk-O\u010den\u00e1\u0161ov laz, pol. 20. stor. kr\u00ed\u017eikmi vy\u0161ila Anna O\u010den\u00e1\u0161ov\u00e1, r. Bartikov\u00e1 1930-2013)<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n

            Suk\u0148a, kinte\u0161, Bzov\u00edk, pol. 20. stor., vy\u0161ila kr\u00ed\u017eikmi Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a, kinte\u0161, Jal\u0161ov\u00edk, prv\u00e1 pol. 20. stor., vy\u0161it\u00e9 kr\u00ed\u017eikmi, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a, kece\u013ea, Senohrad, vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a, Senohrad, vy\u0161it\u00e9 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a, pol. 20. stor., vy\u0161ila krivou ihlou Anna O\u010den\u00e1\u0161ov\u00e1, rod. Bartikov\u00e1<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a s v\u0161itou pali\u010dkovanou \u010dipkou, s rackami, okolie Bzov\u00edka, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"
            Asi 100 ro\u010dn\u00e1 biela suk\u0148a s rackami a tie\u017e asi tak isto star\u00e1 futienka.<\/figcaption><\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a s v\u0161itou pali\u010dkovanou \u010dipkou, s rackami, okolie Bzov\u00edka, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            Suk\u0148a svadobn\u00e1, Senohrad, druh\u00e1 pol. 20.stor., vy\u0161it\u00e1 krivou ihlou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n
            \"\"<\/figure>\n\n\n\n

            VIII. MU\u017dSK\u00c9 Z\u00c1STERY<\/h2>\n\n\n\n

            Region\u00e1lny n\u00e1zov fiertuchy<\/p>\n\n\n\n

            V mojej zbierke s\u00fa v\u0161etky sviato\u010dn\u00e9 mu\u017esk\u00e9 z\u00e1stery u\u0161it\u00e9 z jednej poly \u010dierneho glotu. Maj\u00fa obd\u013a\u017enikov\u00fd tvar, v spodnej \u010dasti ozdoben\u00e9 v\u00fd\u0161ivkou na sieti, alebo kr\u00ed\u017eikmi, zakon\u010den\u00e9 kr\u00e1tkymi strap\u010dekmi, nad nimi je \u0161tepovanie. Z\u00e1stery sa obliekali ku gat\u00e1m, vy\u0161\u00edvan\u00e9 na sviato\u010dn\u00e9 pr\u00edle\u017eitosti, pracovn\u00e9 boli bez v\u00fd\u0161ivky biele, alebo z modrotla\u010de, uv\u00e4zovali sa okolo p\u00e1sa.<\/p>\n\n\n\n

            \"\"<\/figure>\n\n\n\n
              \n
            1. Mu\u017esk\u00e1 z\u00e1stera, Senohrad, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/li>\n<\/ol>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              2. Mu\u017esk\u00e1 z\u00e1stera, Senohrad, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              3. Mu\u017esk\u00e1 z\u00e1stera, Senohrad, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              4. Mu\u017esk\u00e1 z\u00e1stera, Senohrad, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              5. Mu\u017esk\u00e1 z\u00e1stera, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor.,vy\u0161\u00edvan\u00e9 na sieti a \u0161tepovanie, predch\u00e1dzaj\u00faci vlastn\u00edk Anna Sliacka, rod. Mozo\u013eov\u00e1 (1929-2017)<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"
              \u0160tepovanie z mu\u017esk\u00fdch z\u00e1ster vy\u0161it\u00e9 mechanick\u00fdm \u0161ijac\u00edm strojom<\/figcaption><\/figure>\n\n\n\n
              IX.MU\u017dSK\u00c9 KO\u0160ELE A N\u00c1PRSENKY<\/strong><\/h5>\n\n\n\n

              MU\u017dSK\u00c9 KO\u0160ELE<\/p>\n\n\n\n

              Mu\u017esk\u00e9 ko\u0161ele na Bzov\u00edku a v okol\u00ed sa \u0161ili z dom\u00e1ceho hrub\u0161ieho, sviato\u010dn\u00e9, z jemnej\u0161ieho tov\u00e1rensk\u00e9ho bavlnen\u00e9ho, alebo \u013eanov\u00e9ho pl\u00e1tna. V prednej \u010dasti, na stoja\u010diku, nesk\u00f4r golieriku, man\u017eet\u00e1ch vy\u0161\u00edvan\u00e9. Predn\u00e1 \u010das\u0165 bola niekedy ozdoben\u00e1 len z\u00e1mikmi. Ruk\u00e1vy nariasen\u00e9, u\u0161it\u00e9  z jednej poly, v\u0161it\u00e9 do man\u017eety.<\/p>\n\n\n\n

              MU\u017dSK\u00c9 N\u00c1PRSENKY<\/p>\n\n\n\n

              N\u00e1prsenky maj\u00fa obd\u013a\u017enikov\u00fd tvar, obliekaj\u00fa sa na bielu ko\u0161e\u013eu so stoja\u010dikom, na sviato\u010dn\u00fa pr\u00edle\u017eitos\u0165, zap\u00ednanie m\u00e1 vzadu.<\/p>\n\n\n\n

              N\u00c1PRSENKY <\/h5>\n\n\n\n
              s\u00fa vy\u0161it\u00e9 kr\u00ed\u017eikmi, hrachovinkou a jedna hladkovan\u00edm, pln\u00fdm stehom, ktor\u00fd napodob\u0148uje vytk\u00e1vanie. <\/h6>\n\n\n\n

              1. Mu\u017esk\u00e1 n\u00e1prsenka, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              2. Mu\u017esk\u00e1 n\u00e1prsenka, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              3. Mu\u017esk\u00e1 n\u00e1prsenka, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              4.Mu\u017esk\u00e1 n\u00e1prsenka, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              5. Mu\u017esk\u00e1 n\u00e1prsenka, Doln\u00e9 Mladonice, prv\u00e1 pol. 20. stor., p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n

              6. Mu\u017esk\u00e1 n\u00e1prsenka, Bzov\u00edk a okolie, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my<\/p>\n\n\n\n

              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              N\u00e1prsenky spolu<\/h6>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              \"\"
              N\u00e1prsenky z Doln\u00fdch Mladon\u00edc, s podobn\u00fdm vzorom na stoja\u010diku.<\/figcaption><\/figure>\n\n\n\n
              \"\"<\/figure>\n\n\n\n
              MU\u017dSK\u00c9 KO\u0160ELE<\/strong><\/h5>\n\n\n\n
                \n
              1. Mu\u017esk\u00e1 ko\u0161e\u013ea, okolie Bzov\u00edka, vy\u0161it\u00e9 hladkovan\u00edm, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my.<\/li>\n<\/ol>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"
                Ko\u0161e\u013eu som k\u00fapila po\u0161koden\u00fa od my\u0161\u00ed.<\/figcaption><\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n

                Preskenovan\u00e1 v\u00fd\u0161ivka 1:1<\/p>\n\n\n\n

                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n

                2. Mu\u017esk\u00e1 ko\u0161e\u013ea, Dobr\u00e1 Niva, vy\u0161it\u00e1 na \u0161ijacom stroji \u0161tepovan\u00edm, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my, \u010doskoro dopln\u00edm fotografie<\/p>\n\n\n\n

                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"
                Mu\u017esk\u00e1 ko\u0161e\u013ea z Dobrej Nivy nepatr\u00ed do tzv. krek\u00e1\u010dskeho kroja, nako\u013eko sa mi ve\u013emi p\u00e1\u010di a patr\u00ed v zbierke medzi moje poklady, bola by \u0161koda nezverejni\u0165 \u0161ikovnos\u0165 vy\u0161\u00edva\u010diek, ktor\u00e9 vytvorili t\u00fato kr\u00e1su na mechanickom \u0161ijacom stroji \u0161tepovan\u00edm. <\/figcaption><\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n

                3. Mu\u017esk\u00e1 ko\u0161e\u013ea, Plie\u0161ovce, vy\u0161it\u00e1 hladkovan\u00edm, len hnedou, p\u00f4vodn\u00fd vlastn\u00edk nezn\u00e1my, \u010doskoro dopln\u00edm fotografie<\/p>\n\n\n\n

                \"\"<\/figure>\n\n\n\n
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                \"\"<\/figure>\n\n\n\n
                \"\"
                Mu\u017esk\u00e1 ko\u0161e\u013ea z Plie\u0161oviec tie\u017e nepatr\u00ed do tzv. krek\u00e1\u010dskeho kroja, nako\u013eko sa mi ve\u013emi p\u00e1\u010di a patr\u00ed v zbierke medzi moje poklady, bola by \u0161koda nezverejni\u0165 \u0161ikovnos\u0165 vy\u0161\u00edva\u010diek, ktor\u00e9 vytvorili t\u00fato kr\u00e1su pln\u00fdm stehom, hladkovan\u00edm.<\/figcaption><\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n
                \"\"
                Kr\u00e1sna man\u017eeta a v\u00fd\u0161ivka cez riasy je prekr\u00e1sna<\/figcaption><\/figure>\n\n\n\n
                \"\"<\/figure>\n\n\n\n

                KREK\u00c1\u010cI A HORNIACI<\/h2>\n\n\n\n

                V HONTE<\/h2>\n\n\n\n
                  \n
                1. Encyklop\u00e9dia \u013eudovej kult\u00fary Slovenska 1, J\u00e1n Bot\u00edk, Peter Slavkovsk\u00fd, Veda, vydavate\u013estvo SAV, 1995<\/li>\n<\/ol>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n

                  2. HONT TRAD\u00cdCIE \u013dUDOVEJ KULT\u00daRY, J\u00e1n Bot\u00edk, Vydavate\u013esrvo Osveta Bansk\u00e1 Bystrica, 1988<\/p>\n\n\n\n

                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n

                  3. Drahot\u00edna Kri\u017eko-Kardossov\u00e1 ovplyvnila moju z\u00e1\u013eubu v prekres\u013eovan\u00ed vzorov. <\/p>\n\n\n\n

                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n

                  4. N\u00e1uka o krojoch a vkuse, \u013dudmila Reichlov\u00e1-Kuch\u00e1rikov\u00e1, Vydala Matica Slovensk\u00e1<\/p>\n\n\n\n

                  \"\"<\/figure>\n\n\n\n
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                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"
                  Fotografia \u017eeny z Litavy je nespr\u00e1vne umiestnen\u00e1, nepatr\u00ed do Novohradu.<\/figcaption><\/figure>\n\n\n\n
                  \"\"

                  <\/figcaption><\/figure>\n\n\n\n
                  Zdroj: Chlupov\u00e1, Anna a kol.: Slovensk\u00e1 \u013eudov\u00e1 v\u00fd\u0161ivka. 2. vydanie. Bratislava: \u00dastredie \u013eudovej umeleckej v\u00fdroby, 2011, s. 22, 23, 24, 27, 28, 29, 30.<\/h5>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
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                  <\/figcaption><\/figure>\n\n\n\n
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                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

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