{"id":11207,"date":"2021-09-30T13:12:11","date_gmt":"2021-09-30T13:12:11","guid":{"rendered":"https:\/\/www.atelier-reklama.sk\/blog\/?p=11207"},"modified":"2024-12-11T14:24:04","modified_gmt":"2024-12-11T14:24:04","slug":"krekacska-nevesta","status":"publish","type":"post","link":"https:\/\/www.atelier-reklama.sk\/blog\/krekacska-nevesta\/","title":{"rendered":"Krek\u00e1\u010dska nevesta"},"content":{"rendered":"\n

Anna \u010cep\u00e1kov\u00e1, \u010d\u00edslo z\u00e1znamu 2021\/15\/126, pr\u00e1vo pou\u017eitia nekomer\u010dn\u00e9 \u00fa\u010dely.<\/p>\n\n\n\n

Skoro v\u0161etky krojov\u00e9 s\u00fa\u010diastky, ktor\u00e9 uv\u00e1dzam v pr\u00edspevku si m\u00f4\u017eete n\u00e1js\u0165 v tomto blogu, v kateg\u00f3rii Krek\u00e1\u010dsk\u00fd kroj aj s prekreslen\u00fdmi vzormi v\u00fd\u0161iviek krojov z mojej zbierky, alebo z krojov mojich pr\u00edbuzn\u00fdch, zn\u00e1mych, priate\u013eov. Krek\u00e1\u010dsky kroj sa nosil\/nos\u00ed v dedin\u00e1ch severov\u00fdchodn\u00e9ho Hontu, v okrese Krupina: Bzov\u00edk, Senohrad, Horn\u00fd a Doln\u00fd Jal\u0161ov\u00edk ( teraz len Jal\u0161ov\u00edk), \u010cekovce, Doln\u00e9 a Horn\u00e9 Mladonice, Lackov, Litava, Trp\u00edn, Koz\u00ed Vrbovok, Horn\u00fd a Doln\u00fd Bad\u00edn, Selce, U\u0148at\u00edn.<\/p>\n\n\n\n

Dozvedela som sa, \u017ee do 2.svet. vojny Krek\u00e1\u010di uzatv\u00e1rali man\u017eelstv\u00e1 len medzi sebou v 15 krek\u00e1\u010dskych dedin\u00e1ch a tak zamie\u0161ali vzory, je ve\u013emi ta\u017ek\u00e9 na 100% ur\u010di\u0165 z ktorej dediny priekupn\u00edci kroj pred\u00e1vaj\u00fa. Ja t\u00fdm, \u017ee prekres\u013eujem vzory, vid\u00edm podobnos\u0165, niekedy \u00fapln\u00fa zhodu z rozdielnych ded\u00edn. Niekedy sa mi podar\u00ed vyp\u00e1tra\u0165 to, \u017ee napr\u00edklad jedna zo sestier zostala na Dol. Bad\u00edne a druh\u00e1 sa vydala na Koz\u00ed Vrbovok, ke\u010f si pripravovali v\u00fdbavu, tak vy\u0161\u00edvali aj zhodn\u00e9, alebo podobn\u00e9 vzory… No po 2.svet. vojne sa za\u010dali uzatv\u00e1ra\u0165 man\u017eelstv\u00e1 Horniaci +Krek\u00e1\u010dky a opa\u010dne. Vplyv horniackych prvkov sp\u00f4sobil to, \u017ee ke\u010f za\u010dali nosi\u0165 polokroj, rozdiel sa postupne str\u00e1ca…<\/p>\n\n\n\n

\"\"
Mladoman\u017eelia Angela a Pavol Kov\u00e1\u010d. Fotka vznikla v roku 1938. Mlad\u00e1 nevesta m\u00e1 oble\u010den\u00fd sl\u00e1vnostn\u00fd krek\u00e1\u010dsk\u00fd kroj: modrotla\u010dov\u00fa \u0161atu (z\u00e1steru), kinte\u0161 (suk\u0148u), st\u00e1nku, oplecko, partu( veniec), stuhu\/odiedzku (\u0161erpu) na nej m\u00e1 pripnut\u00fd rozmar\u00edn, ktor\u00fd symbolizoval l\u00e1sku, vernos\u0165 a \u0161\u0165astie.<\/figcaption><\/figure>\n\n\n\n
\"\"
Text zostavila Anna Kasarov\u00e1<\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Rozmar\u00edn sa pripne \u0161pendl\u00edkmi a na\u0148 sa privia\u017eu tri, alebo viac r\u00f4znofarebn\u00fdch ma\u0161li\u010diek, ktor\u00e9 s\u00fa rovnako dlh\u00e9, maj\u00fa cca 3cm ma\u0161li\u010dky, aj 3cm konce. M\u00f4\u017eu by\u0165 z mulinky, alebo z priadze na pletenie. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Krek\u00e1\u010dska nevesta m\u00e1 ma\u0165: veniec\/partu s korunkou na ktorej s\u00fa dve vzorovan\u00e9 stuhy a posledn\u00e1 mus\u00ed by\u0165 \u010derven\u00e1 bez vzoru, tr\u00e1\u010dky, vy\u0161\u00edvan\u00fd ru\u010dn\u00ed\u010dek za p\u00e1s, st\u00e1nku, spodn\u00fa suk\u0148u, oplecko (ruk\u00e1vce) bez v\u00fd\u0161ivky na pleciach (dlh\u00e9 ruk\u00e1vy sa vykas\u00e1vaj\u00fa nad lakte, zais\u0165uj\u00fa gumi\u010dkami), garole (kor\u00e1lky na \u010diernej stu\u017eke), bro\u0161ni\u010dku, odiedzku(\u0161erpu) s rozmar\u00ednom (ozdoben\u00fdm farebn\u00fdmi ma\u0161li\u010dkami), previazan\u00fa stu\u017ekou, vrchn\u00fa suk\u0148u\/kinte\u0161\/kece\u013eu, z\u00e1steru, na op\u00e1sanie drieku tkanicu, ktor\u00e1 sa na boku zap\u00edna zatv\u00e1rac\u00edm \u0161pendl\u00edkom („zicherkou“). K bielej sukni s rackami (do klinov v\u0161it\u00e9 pali\u010dkovan\u00e9 \u010dipky) si na za\u010diatku 20. storo\u010dia obliekali futienku (z\u00e1stera z \u010derveno \u010dierneho glotu), alebo jarab\u00fa\/tarkav\u00fa \u0161atu z modrotla\u010de, alebo glotov\u00fa \u0161atu s viacfarebn\u00fdm spojovac\u00edm \u0161v\u00edkom sp\u00e1jaj\u00facim dve poly l\u00e1tky, na nohy si mlad\u00e1 nevesta ob\u00favala \u010dierne \u010di\u017emy s tvrdou vyb\u00edjanou s\u00e1rou. <\/figcaption><\/figure>\n\n\n\n
\"\"
Veniec, korunku, tr\u00e1\u010dky, garole vytvorili \u0161ikovn\u00e9 ruky Ant\u00f3nie Stehl\u00edkovej zo Senohradu. <\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Bielu suk\u0148u s rackami ( s pali\u010dkovanou \u010dipkou od prastarkej Katar\u00edny Guttenovej, v\u0161itou do klinov) som zdedila po mame. Futienku som vy\u0161ila aj u\u0161ila pod\u013ea 100 ro\u010dnej, ktor\u00fa som zdedila po starkej. <\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Z\u00e1stera\/futienka (moja pr\u00e1ca)<\/figcaption><\/figure>\n\n\n\n
\"\"
\u017div\u00f4tik, biely lajbl\u00edk u\u0161ila pod\u013ea star\u00e9ho s\u00fakenn\u00e9ho Helenka \u0160imkov\u00e1 z Krupiny, ktor\u00e1 pou\u017eila \u013eahkoudr\u017eiavate\u013en\u00fd materi\u00e1l. Ozdoby som na\u0161ila z \u010diernej harasovej \u0161n\u00farky, brmbolce som vyrobila z vlnenej priadze. <\/figcaption><\/figure>\n\n\n\n
\"\"
Zdroj U\u013dUV<\/figcaption><\/figure>\n\n\n\n
\"\"
Zdroj U\u013dUV. \u017div\u00f4tik (lajbl\u00edk\/prusliak) bol u\u0161it\u00fd z tov\u00e1rensk\u00e9ho tenk\u00e9ho s\u00fakna. Obliekali si ho mlad\u00e9 nevesty, mlad\u00e9 \u017eeny, k\u00fdm nemali deti. Star\u0161ie \u017eeny ho nosili ojedinele. V prvej \u0161tvrtine 20.stor. sa postupne prestal nosi\u0165. V s\u00fa\u010dasnosti je ve\u013ekou vz\u00e1cnos\u0165ou. <\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Jarab\u00e1\/tarkav\u00e1 \u0161ata z modrotla\u010de.
Modrotla\u010dov\u00fa l\u00e1tku vyrobili v Str\u00e1\u017enici na Morave pod\u013ea star\u00e9ho vzoru, spojovac\u00ed \u0161v\u00edk som vy\u0161ila tie\u017e pod\u013ea star\u00e9ho vzoru. <\/figcaption><\/figure>\n\n\n\n
\"\"
Obalok (p\u00e1s) som na tejto \u0161ate nevy\u0161\u00edvala, nako\u013eko sa prekryje omotanou tkanicou.<\/figcaption><\/figure>\n\n\n\n
Uv\u00e4zovanie st\u00fah<\/strong> vzadu, ktor\u00e9 visia cez suk\u0148u\/kinte\u0161\/kece\u013eu<\/h5>\n\n\n\n

\u010c\u00edm dlh\u0161ie som sa zaoberala krojmi z oblasti SV Hontu, t\u00fdm viac som sa zamot\u00e1vala v pravidl\u00e1ch spr\u00e1vneho postupu pri uv\u00e4zovan\u00ed st\u00fah vzadu, ktor\u00e9 visia cez sukne\/kecele\/kinte\u0161e. <\/p>\n\n\n\n

Niekde mladej neveste zakladaj\u00fa na hlavu veniec s korunkou, v ktorej je ako posledn\u00e1 jednofarebn\u00e1 \u010derven\u00e1 stuha a tak\u00e1 ist\u00e1 je aj pripevnen\u00e1 vzadu a siaha po koniec sukne. <\/p>\n\n\n\n

V susednej dedine namiesto hladkej, jednofarebnej stuhy zakladaj\u00fa \u010derven\u00fa s kvetmi v korunke, aj vzadu vis\u00ed tak\u00e1 ist\u00e1 cez suk\u0148u.<\/p>\n\n\n\n

V niektor\u00fdch dedin\u00e1ch SV Hontu je vo venci jednofarebn\u00e1 \u010derven\u00e1 a vzadu cez suk\u0148u vis\u00ed \u010dervena stuha so vzorom. <\/p>\n\n\n\n

No dozvedela som sa aj to, \u017ee mo\u017eno kedysi sa uveden\u00e9 pravidl\u00e1 presne dodr\u017eiavali, no v s\u00fa\u010dasnosti u\u017e nie.<\/p>\n\n\n\n

\"\"
Toni\u010dke Stehl\u00edkovej zo Senohradu \u010fakujem za upozornenie, \u017ee ma\u0161le maj\u00fa by\u0165 do str\u00e1n a konce st\u00fah maj\u00fa visie\u0165 medzi ma\u0161\u013eami v strede.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Tento typ bielej sukne s rackami by nemal by\u0165 zakon\u010den\u00fd \u010dipkou, no \u017eia\u013e je pri\u0161it\u00fd ve\u013emi drobn\u00fdm stehom, ktor\u00fd sa ned\u00e1 bez po\u0161kodenia p\u00e1ra\u0165, tak som sa rozhodla ju necha\u0165.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Glotov\u00fa \u0161atu som k\u00fapila, poch\u00e1dza zo Senohradu, je ve\u013emi zachoval\u00e1 aj napriek tomu, \u017ee m\u00f4\u017ee poch\u00e1dza\u0165 zo za\u010diatku 20. storo\u010dia. P\u00f4vodn\u00fd vlastn\u00edk je nezn\u00e1my. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Ak sa budete sob\u00e1\u0161i\u0165 v kroji, treba sa op\u00fdta\u0165 t\u00fdch, \u010do to vedia lep\u0161ie ako ja, ak\u00e9 pravidl\u00e1 pri uv\u00e4zovan\u00ed st\u00fah platia v danej dedine, preto\u017ee som zistila, \u017ee m\u00f4\u017eu by\u0165 odli\u0161n\u00e9.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Od druhej polovice 20. stor. do s\u00fa\u010dasnosti sa mlad\u00e9 nevesty obliekaj\u00fa aj do tak\u00e9hoto krek\u00e1\u010dskeho kroja. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Pod\u013ea tzv. krek\u00e1\u010dskeho vzoru vy\u0161ila pani Helenka \u0160amu\u013e\u00e1kov\u00e1. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
\"\"
V chladnej\u0161om po\u010das\u00ed si mlad\u00e9 nevesty obliekali kab\u00e1tiky\/vizitky. (Kab\u00e1tik z polovice 20. stor. som zdedila po mame.) Kr\u00ed\u017eom cez trup si uviazali pl\u00e1ten\u00fa \u0161erpu, odiedzku „plachti\u010dku“ na ktorej bol pripnut\u00fd rozmar\u00edn a uviazan\u00e1 ma\u0161li\u010dka zo stuhy. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Vhodnej\u0161ia by bola vizitka vy\u0161it\u00e1 „vesel\u0161\u00edmi“ farbami.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
\"\"
\u010cepiec, symbol vydatej \u017eeny, bez ktor\u00e9ho sa nemohla uk\u00e1za\u0165 na verejnosti. Nosil sa vo v\u0161edn\u00e9 i sviato\u010dn\u00e9 dni. Sklad\u00e1 sa z predni\u010dky a dienka. Na za\u010dep\u010denie sa priv\u00e4zovali dve stuhy s farebn\u00fdmi kvetmi na \u017eltom a bielom podklade, na vrch ako posledn\u00e1 sa priviazala \u010derven\u00e1 stuha bez vzoru. \u010cerven\u00fa stuhu uviazan\u00fa cez \u010depiec nosili \u017eeny dovtedy, k\u00fdm neporodili prv\u00e9 die\u0165a. Po prvom die\u0165ati si uv\u00e4zovali dve stuhy, \u010derven\u00fa stuhu s kvetmi ako vrchn\u00fa, ke\u010f porodila druh\u00e9 a viac det\u00ed, tak si uv\u00e4zovala dve kvetovan\u00e9 stuhy, len nie s \u010derven\u00fdm podkladom. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Vydat\u00e1 \u017eena po za\u010dep\u010den\u00ed si oblieka oplecko\/ruk\u00e1vce s v\u00fd\u0161ivkou na pleciach. Stuha vis\u00ed cez suk\u0148u m\u00f4\u017ee by\u0165 aj \u010derven\u00e1 s kvetmi a siaha len do polovice sukne (nie ako na fotografii), pod p\u00e1som nemus\u00ed by\u0165 ma\u0161\u013ea, stuha sa prevle\u010die cez p\u00e1s, uvia\u017ee sa na „vank\u00fa\u0161ik“ a vo\u013ene vis\u00ed dole.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
St\u00e1nka sa oblieka tak, aby v\u00fd\u0161ivka bola vzadu, nad p\u00e1som. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
V\u00fd\u0161ivku som k\u00fapila od pani Helenky \u0160amu\u013e\u00e1kovej, vzor poch\u00e1dza z Litavy. Pri \u0161it\u00ed tzv. krek\u00e1\u010dskeho kinte\u0161a\/kecele treba dodr\u017eiava\u0165 ur\u010dit\u00e9 pravidl\u00e1. Chybne som pri\u0161\u00edvala v\u00fd\u0161ivku, \u0161n\u00farky pod\u013ea svojho vkusu, \u010do som n\u00e1sledne musela p\u00e1ra\u0165. V\u010faka za usmernenie patr\u00ed Tonke Stehl\u00edkovej zo Senohradu, odborn\u00ed\u010dke na krek\u00e1\u010dsky kroj.<\/figcaption><\/figure>\n\n\n\n
\"\"
Aj tento kinte\u0161 je nov\u00fd, v\u00fd\u0161ivku vytvorili \u0161ikovn\u00e9 ruky Helenky \u0160amu\u013e\u00e1kovej. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Spodn\u00e1 suk\u0148a mus\u00ed by\u0165, bez nej by sa vrchn\u00e1 suk\u0148a pri ch\u00f4dzi m\u00e1lo „vlnila“.<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Mlad\u00e1 \u017eena na za\u010dep\u010denie potrebovala na \u00fapravu hlavy kitku\/kot\u00fa\u010dku. Vlasy sa rozdelili v strede hlavy na „cesti\u010dku“, natreli sa pom\u00e1dou (uvaren\u00e1 z v\u010delieho vosku, kolof\u00f3nie\/\u017eivice), potom sa zapletali, alebo obt\u00e1\u010dali okolo val\u010deka, alebo sa zalo\u017eila pod \u010depiec kitka\/kot\u00fa\u010dka. Kot\u00fa\u010dky si \u017eeny robili aj z handri\u010diek, alebo zo zv\u00e4zku napraden\u00fdch nit\u00ed, ktor\u00e9 omotali pl\u00e1tenkom. Kot\u00fa\u010dka sa v s\u00fa\u010dasnosti rob\u00ed z dr\u00f4tu, ktor\u00fd sa obal\u00ed pl\u00e1tnom, alebo bavlnenou keprovou stuhou.
<\/figcaption><\/figure><\/div>\n\n\n\n

Stuhy <\/h2>\n\n\n\n
\"\"
Jal\u0161ov\u00edk 2019<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Jal\u0161ov\u00edk, 2019<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Jal\u0161ov\u00edk, 2019<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Jal\u0161ov\u00edk 2018?<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Jal\u0161ov\u00edk, Foto: Martin Habo Hab\u00e1nek<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Mlad\u00e1 nevesta z Litavy ide na sob\u00e1\u0161. <\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Mladucha zo Bzov\u00edka, zdroj: www.fondtlk.sk<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Mlad\u00e1 \u017eena zo Bzov\u00edka, zdroj: www.fondtlk.sk<\/figcaption><\/figure><\/div>\n\n\n\n

Pozn\u00e1mky<\/p>\n\n\n\n

Podrobn\u00fd postup pri obliekan\u00ed krek\u00e1\u010dskej nevesty n\u00e1jdete na<\/p>\n\n\n\n

Centrum pre tradi\u010dn\u00fa \u013eudov\u00fa kult\u00faru, digitaliza\u010dn\u00fd t\u00edm CT\u013dK: Michal Veselsk\u00fd, Stanislava Tich\u00e1, Miroslav Han\u00e1k  26.10.218 dokumentovali \u013eudov\u00fd odev Margity Pavlendovej zo Bzov\u00edka https:\/\/www.fondtlk.sk\/sk\/vysledky\/?field=G&limv_LOKALIZACIA=hont&zf=SHORT&qt=facet&src=sluk_us_cat-2&limv_OBEC=bzov%C3%ADk<\/a><\/p>\n\n\n\n

N\u00e1dhern\u00e9 z\u00e1bery mladuchy z Jal\u0161ov\u00edka a i. na \u00fa\u017easn\u00fdch fotografi\u00e1ch Martina Hab\u00e1nka <\/p>\n\n\n\n

www.atelier-reklama.sk\/blog\/krekacsky-kroj-z-jalsovika-na-fotografiach-martina-haba-habanka\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Anna \u010cep\u00e1kov\u00e1, \u010d\u00edslo z\u00e1znamu 2021\/15\/126, pr\u00e1vo pou\u017eitia nekomer\u010dn\u00e9 \u00fa\u010dely. Skoro v\u0161etky krojov\u00e9 s\u00fa\u010diastky, ktor\u00e9 uv\u00e1dzam v pr\u00edspevku si m\u00f4\u017eete n\u00e1js\u0165<\/p>\n","protected":false},"author":1,"featured_media":11247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[22,4],"tags":[],"class_list":["post-11207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-krekacsky-kroj","category-zaujimavosti"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.atelier-reklama.sk\/blog\/wp-content\/uploads\/2021\/09\/Evka-Fekia%C4%8Dov%C3%A1.-stred.jpg?fit=768%2C1216&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paKGI9-2UL","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/posts\/11207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/comments?post=11207"}],"version-history":[{"count":88,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/posts\/11207\/revisions"}],"predecessor-version":[{"id":15586,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/posts\/11207\/revisions\/15586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/media\/11247"}],"wp:attachment":[{"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/media?parent=11207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/categories?post=11207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.atelier-reklama.sk\/blog\/wp-json\/wp\/v2\/tags?post=11207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}